I see artists as activators, free agents, problem solvers, tricksters, healers, liminal space dwellers and conduits for change.
I use art to invent ceremony, mark meaning, and reconfigure memory in my personal experience. When I find a process cathartic, I manifest it in a parallel public practice.
My current work includes Care House; a series of rituals documented in video, sound, and material interventions in the house I grew up in, Hear Our Houston; a participatory project facilitating public generated audio walking tours, and Sunblossom; an evolving skill share between local creatives and kids who are refugees from Burma.
I also write about art and dance Argentine tango every chance I get.